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| Education | |
| 1987 | Master of Fine Arts, Concordia University, Montréal |
| Solo/Duo Exhibitions & Projections (Selection) |
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| 2021 | Becoming Photography, an exhibition in two venues: Expression, Saint-Hyacinthe, QC & Plein sud, Longueuil, QC (publication) |
| 2020 | After & On Photography, Espaces F, Matane, QC |
| 2015 | The Photographer Galerie Le Réverbère, Lyon, France Before the Camera, CLAMP, New York Before Photography, Galerie de l’Etrave, Thonon-les-Bains, France |
| 2014 | Chuck’s Home Movies & MOVIE/MUSIC (in collaboration with Bill Parsons), DAÏMÕN, Gatineau, QC |
| 2013 | Before Photography, Latitude 53 Gallery, Edmonton |
| 2012 | Before Photography, Festival Images, Vevey, Switzerland Memory Believes & MOVIE/MUSIC (in collaboration with Bill Parsons), Occurrence, Montréal Before Photography, “Montréal en tournée:” the exhibition tours 6 cultural centres in Montréal (Maison de la culture Notre-Dame-de-Grâce, L’Entrepôt, Maison de la culture et communautaire de Montréal-Nord, Centre culturel de Dorval, Galerie Port-Maurice, Maison de la culture Frontenac) in 2011 and 2012. Tour organized by Dazibao and Conseil des arts de Montréal |
| 2010 | Before Photography, Centre VU, Québec Before Photography, Dazibao, centre de photographies actuelles, Montréal |
| 2006 | Crime Scenes (in collaboration with Bill Parsons), Le Festival International de Jazz de Montréal at the Montreal Museum of Contemporary Art, Montréal |
| 2005 | Translating Grace (in collaboration with Bill Parsons), Rosedale United Church, Toronto |
| 2003 | InSiteOut, (in collaboration with Sylvie Cotton), Dazibao, centre de photographies actuelles, Montréal |
| 1999 | Moving Images (in collaboration with Bill Parsons), Music Gallery, Toronto |
| 1997 | Je ne suis pas... (in collaboration with Gilbert Boyer), Galerie Michèle Chomette, Paris |
| 1996 | Before the Camera, Galerie Barbara Farber, Amsterdam Sighting the Male, Latitude 53 Gallery, Edmonton Psychoanalysis (in collaboration with Bill Parsons), Galerie 101, Ottawa Psychoanalysis (in collaboration with Bill Parsons), Galerie Vox, Montréal |
| 1995 | Before the Camera, Centre VU, Québec |
| 1994 | Before the Camera, Canadian Museum of Contemporary Photography (now part of the National Gallery of Canada), Ottawa |
| 1995 | Before the Camera, Artspeak, Vancouver Easy Targets, Exposure Photographic Gallery, Vancouver |
| 1992 | Easy Targets, Exit Gallery, Reno, NV Before the Camera, Galerie 101, Ottawa After the Masters, Houston Center for Photography, Houston Easy Targets, Hamilton Artists Inc, Hamilton, ON Cibles Faciles, Centre VU, Québec |
| 1991 | Easy Targets, Arcadia Gallery, Toronto Easy Targets, Latitude 53 Gallery, Edmonton Easy Targets, Floating Gallery, Winnipeg, MB |
| 1990 | Easy Targets, XChanges, Victoria, BC Extended Portraits, Galerie Photo-Vidéo l'espace f, Rimouski, QC Easy Targets, Neutral Ground, Regina, SK Easy Targets, Galerie 101, Ottawa |
| 1989 | Extended Portraits, Nova Scotia Photo Co-op, Halifax |
| 1988 | Memory Works, Harbourfront Gallery, Toronto Extended Portraits & The Mission of Photography..., Axe Neo-7, Hull, QC Extended Portraits, Center Eye Gallery, Calgary, AB Extended Portraits, Galerie Séquence, Jonquière, QC Extended Portraits, Centre VU, Québec |
| 1986 | Extended Portraits, Galerie Bourget, Montréal |
| 1985 | Nudes, Latitude 53 Gallery, Edmonton |
| 1981 | Portraits, Galerie Dazibao, Montréal |
| 1980 | Portraits, Critical Eye Gallery, Hatley, QC |
| Group Exhibitions, Video Projections, Web Projects, etc. (Selection) | |
| 2023 | Le Parcours photographique, 41st International Symposium of Contemporary Art of Baie-Saint-Paul Performing the PhotoBook, Derby Museum and Art Gallery (part of the PhotoBook Market in the FORMAT International Photography Festival), Derby U.K |
| 2022 | CAMP@CLAMP, CLAMP, New York Convergences, Plein sud, Longueuil, QC |
| 2021 | Expected: Clandestine – The Human Body in Focus, Cobra Museum of Modern Art, Amstelveen, Netherlands |
| 2017 | The Most Beautiful Part, Museo de Arte Moderno, in the framework of the FotoMéxico biennale, Mexico City (catalogue) Documentar, contar, mentir, El Museo de la Cancilleria, Mexico City Documentar, contar, mentir, Ex-Convento del Carmen, Guadalajara Documentar, contar, mentir, Centro Cultural Clavijero, Morelia Celebrating the voice (in collaboration with Bill Parsons), Arraymusic Studio, Toronto |
| 2016 | The Photographer, Festival International du Film sur l’Art, Montréal at presented at Centre Phi, Montréal |
| 2015 | Percepciones: Hombre y Mujer en la historia de la fotographia, Fondación Canal, Madrid (catalogue) Money, Les Nuits Photographiques, Pavillon Carré de Baudouin, Paris (catalogue) |
| 2014 | Performance: Contemporary Photography from the Douglas Nielsen Collection, Center for Creative Photography, Tucson, AZ |
| 2013 | The Gender Show, George Eastman Museum, Rochester, NY (catalogue) |
| 2006 | Silver, Houston Center for Photography, Houston |
| 2005 | Edward Weston: Perspectives on Collections, George Eastman Museum, Rochester, NY (catalogue) |
| 2004 | Les 20 ans du CIAC, La Biennale de Montréal, Montréal (catalogue) |
| 2003 | essence/image, University of Waterloo Art Gallery, Waterloo, ON |
| 2002 | 20th Anniversary Exhibit, Houston Center for Photography, Houston |
| 2001 | and then we take berlin, Contemporary Art Forum, Kitchener, ON Disclosures, Calvin College Center Art Gallery, Grand Rapids, MI |
| 1999 | Dock Innocence (in collaboration with Bill Parsons), Moving Pictures Festival of Dance on Film & Video, Toronto Desert Drive (in collaboration with Bill Parsons), Antimatter Festival of Underground Short Film & Video, Victoria, BC Untitled (in collaboration with D. Kimm), Espace Tangente, Montréal The Full Monty, Houk Gallery, New York FiXions : 5 photoromans sur le Web (in collaboration with Michel Lefebvre), Agence TOPO, Montréal |
| 1998 | Play It Again, Concertgebouw Amsterdam, Amsterdam (catalogue) Recycling Art History, Pittsburgh Arts Center, Pittsburgh (catalogue) |
| 1997 | Promote/Exhibit/Document, Galerie 101, Ottawa Utopia/Dystopia, Floating Gallery, Winnipeg, MB Fun With Dick and Jane, Clement Gallery, Toledo, OH |
| 1996 | Les cent jours d'art contemporain, Centre international d'art contemporain de Montréal, Montréal Photography Room, Fay Gold Gallery, Atlanta Prospect 96 – Photography in Contemporary Art, Schirn Kunsthalle & Frankfurter Kunstverein, Frankfurt (catalogue) Photography in the 1990s, Wright State University Art Gallery, Dayton, OH (catalogue) |
| 1995 | Several Exceptionally Good Recently Acquired Pictures IX, Fraenkel Gallery, San Francisco The Pressing of Flesh, Gallery 44 & Gallery TPW, Toronto (catalogue) |
| 1994 | The Body / Le Corps, Haus am Waldsee, Berlin (catalogue) The Body / Le Corps, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) |
| 1993 | The Pressing of Flesh, Floating Gallery, Winnipeg, MB (catalogue) Interior Dialogues, Pyramid Art Center, Rochester, NY |
| 1992 | Phototropism, New Works Gallery, Chicago Politics of Gender, Niagara Artists Centre, St. Catharines, ON Body Takes, Gallery TPW, Toronto (catalogue) Rated X, Neikrug Photographica, New York |
| 1989 | Canadian Photographers, Hungarian National Gallery, Budapest & Bányászati Múzeum, Sopron, Hungary |
| 1988 | Untitled, Galerie Dazibao, Montréal |
| 1987 | Latent Images, Gallery 44, Toronto |
| 1986 | Photoperspectives ‘86, Presentation House Gallery, North Vancouver, BC (catalogue) |
| 1985 | Nudité et Sexualité en Photographie, Galerie Dazibao, Montréal Portraits, Galerie Articule, Montréal |
| 1984 | Le Portrait, Consejo Mexicano de Fotografia, Tehuantepec, Mexico - Exhibit toured Mexico in 1984 |
| 1983 | Portraits, Espace OVO, Montréal |
| 1981 | End of Tale, Galerie Yvon Lavoie, Montréal |
| Bibliography (Selection) | |
| 2023 | Alasdair Foster, “In Photography,” Interview on Talking Pictures website, Brisbane, Australia |
| 2022 | Joan Fontcuberta, “Que penserait Walter Benjamin de Photoshop ?” Manifeste pour une poste-photographie, Actes Sud, Arles, France, 2022, p.16-17. Christina Natlacen, “Chuck Samuels: Becoming Photography,” EIKON International Magazine for Photography and Media Art, #118, Vienna, 2022, p.86. Carole Coen, “Huitième art en « je »,” Fisheye Magazine , No. 51, Paris, January-February 2022, p. 110-111. Ulrich Rüter, “Chuck Samuels: Becoming Photography,” Leica Fotografie International , 1.2022, Hamburg, January 2022, p. 112. |
| 2021 | Chuck Samuels, Becoming Photography, publication with texts by Joan Fontcuberta & Mona Hakim, co-edited by Kerber Verlag, Berlin, Expression, Saint-Hyacinthe & Plein Sud, Longueuil, 2021 Syvain Campeau, “Chuck Samuels. Devenir la photographie,” Ciel variable , no. 118, Automne/Fall 2021, p. 93 - 94. Charlotte Doyen, “Oeuvre de septembre,” Musée de la Photographie website, Charleroi, September 1, 2021, n.p. Robert Enright, “The Man with the Moving Camera,” Border Crossings, Vol. 40, No. 2, Issue 157, August 2021, p. 100-111. Gabrielle Sarthou, “Devenir la photographie. Chuck Samuels,” Espace art actuel, No. 129, Automne/Fall 2021, p. 109. Sevia Pellissier, “Chuck Samuels. Devenir la photographie,” Vie des arts, No. 263, Vol. LXVI, Montréal, Été 2021, p. 89. Joan Fontcuberta, “Històries i contrahistòries,” El món d’ahir, No. 19, Barcelona, Summer 2021, p. 50-69. Donald Bracket, “How to Throw Your Voice Visually: Becoming Photography,” Critics At Large (criticsatlarge.ca), May 26, 2021, n.p. Jérome Delgado, “Tête de star,” Le Devoir (Le D Magazine), April 17, 2021, p. 23. Christian Gattinoni, “Portrait de l’homme photographique dans l’histoir de ses chef-d’oeuvres,” LaCritique.org, 24 mars, n.p. 2021 |
| 2020 | Sevia Pellissier, “Loose Canon; Chuck Samuels, On Photography,” vuphoto.org, June 4, 2020, n.p. |
| 2018 | Ann Thomas, “Conversations in Time,” The Extended Moment , ed. Ann Thomas, Canadian Photography Institute of the National Gallery of Canada, 5 Continents Editions, Milan, 2018, p. 26 - 47. |
| 2017 | James Oles, “Beautiful Parts,” The Most Beautiful Part, ed. James Oles, Mexico City, 2017, p. 18 - 35 & 146 - 147. |
| 2015 | Francisco Carpio, “En Busca des Hemisferio Perdidio,” Percepciones: Hombre y Mujer en la historia de la fotographia, ed. Fondación Canal, Madrid, 2015, p. 21 – 37. Jules Roeser, “L’Oeil du photographe,” LeMauvaisCoton.fr, July 30, 2015, n.p. Christian Gattinoni, “Chuck Samuels rentre dans l’histoire,” LaCritique.org, May 29, 2015, n.p. Vince Aletti, “Chuck Samuels,” The New Yorker, March 16, 2015, p. 6. Loring Knoblauch, “Chuck Samuels: Before the Camera @Clampart,” Collector Daily.com, March 20, 2015, n.p. Ed Barnas, “Second-Hand Nudes,” The New York Photo Review.com, March 19, 2015, n.p. Julie Grahame, “Chuck Samuels: Before the Camera,” aCurator.com, March 24, 2015, n.p. Ellyn Kail, “Male Photographer Plays the Part of Famous Female Nudes from Art History” feature shot.com, March 27, 2015, n.p. |
| 2014 | Philipp Dominik Keidl, “Flickering Memories: Chuck Samuels and Mike Hoolboom,” Global Engagements in Contemporary Canadian Art, ed. Loren Lerner, p. 329-39. Montreal: Centre for Contemporary Canadian Art Academy, 2014, Web |
| 2013 | Sylvain Campeau, “Irrépressible tentation,” Before Photography Feuillet, Latitute 53, Edmonton, n.p. Kerri Macdonald, “Examining Identity, Gender Image by Gender Image,” Lens (New York Times Blog), June 13, 2013 Jules Arbec, “Chuck Samuels: Auto-Bio-Photographie,” Vie des arts, no. 230, Printemps 2013, p. 72-73 |
| 2012 | Javier Ugarte Torras, “Yasumasa Morimura, un Crisol Cultural,” Info-arte, Revista digital Web site, Madrid, n.p. |
| 2011 | Jacques Doyon, “Narrative Series,” Ciel variable, no. 87, January – May, 2011, p. 10, p. 3. |
| 2010 | Jean Gagnon, “Les identités faux fillées de Chuck,” Before Photography Feuillet, Centre Vu, Québec, n.p. Virginie Doré Lemonde, “Chuck Samuels,” Ciel variable, no. 85, May – September 2010, p.68-69. Nicolas Mavrikakis, “Photos d’identité,” Voir Montréal, 29/01/2010, p. 33. Jérôme Delgado, Quelques vérités photograpiques, Le Devoir, Les samedi 23 et dimanche 24 janvier, 2010 p. E-9. |
| 2009 | Sylvain Campeau, “Apparaître et Leurrer,” PROTÉE, Vol. 37, No. 1 Chicoutimi, QC, p. 47 – 58. |
| 2008 | Thierry Gervais & Gaëlle Morel, La Photographie, Larousse, Paris, p. 229 Sylvie Parent, 10 ans/years agence topo, Agence TOPO, Montréal, p. 8 |
| 2006 | Pere Formiguera, "It’s Such a Beautiful Photograph it Looks like a Photograph,” EXIT Magazine, “REMAKES,” No. 21, February, Madrid, p.62 – 67. |
| 2005 | Alison Nordström, "Weston & the Post-Modernists” Image, the Magazine of George Eastman House, Vol. 43, No. 1, Spring 2005, p. 16-21. Sylvain Campeau, "Autoportraits dans la photographie canadienne contemporaine,” CV Ciel Variable, No. 67, June 2005, p. 35. |
| 2004 | Céline Mayrand, "Se révéler, disparaître," AUTOPORTRAITS dans photographie canadienne contemporaine, ed. André Gilbert, Éditions J'ai VU, Québec, p. 36 - 42. Ellen Corin, "Au-delà du miroir, l'échappée du regard," AUTOPORTRAITS dans photographie canadienne contemporaine, p. 64 - 73. |
| 2003 | Penny Cousineau-Levine, Faking Death: Canadian Art Photography and the Canadian Imagination, McGill-Queen’s University Press, Montréal, p.72 & 175. |
| 2001 | Nina Levitt, "Before the Camera - An Essay on the Works of Chuck Samuels," function, Vol. 3, 2001, Toronto, p. 26 - 28. |
| 1999 | Frédérique Doyon, "Poésie nomade," La Presse, September 24, 1999, Montréal, p. B5. Vince Aletti, "Short List," Village Voice, August 10, 1999, New York, p. 89. Will Straw, "Psychoanalysis," image/duration Catalogue, ed. Tim Dallet, Gallery 101 Publication, Ottawa, p. 35-44. |
| 1998 | Linda Roodenburg, "Humor, ironie en perfectie," Play It Again Catalogue, Praemium Erasmianum,Amsterdam, p. 16-19. Deborah Bright, “Introduction,” The Passionate Camera, ed. Deborah Bright, Routledge, NY, p. 297. Vicky A. Clark, “Recycling Art History,” Recycling Art History Catalogue, Pittsburgh Center for the Arts, Pittsburgh, p.12-13. |
| 1996 | Jennifer Couëlle, “Chuck Samuels,” CVphoto Contemporary Photography, No. 37, Winter 1996, Montréal, p. 33. Bernard Lamarche, “Les corps étrangers,” Le Devoir, October 27, 1996, Montréal, p. D8. Margareta Friesen, “Prospect 96: Photographie in der Gegenwartskunst,” Camera Austria, No. 55/1996, Graz, Austria, p. 68-70. Peter Weiermair, “Introduction,” Prospect 96 - Photography In Contemporary Art, Edition Stemmle, Zurich, March 1996, p. 10-14. Von Konstanze Crwell, “Im Zitat des Zitats rückt die Fotografie von der Wirklichkeit ab” Art ds Kunstmagazin, Vol. 3, 1996, p. 94 – 97. |
| 1995 | Debbie O'Rourke, “The Pressing of Flesh,” Artword, Fall 1995, p. 8-11. Robin Laurence, “Singing the Body Eclectic,” Border Crossings, Vol. 14, No. 2, April 1995, p. 62-65. Nina Levitt, “Chuck Samuels - Before the Camera,” Before the Camera Feuillet, Centre Vu, Québec, n.p. |
| 1994 | Hans-Micheal Herzog, “The Body / Le Corps,” The Body / Le Corps, Kunsthalle Bielefeld, p. 6-15. Peter Weiermair, “Brian Piitz, Chuck Samuels, Evergon, Jean-Jacques Ringuette,” The Body / Le Corps, Kunsthalle Bielefeld, p. 36-43. |
| 1993 | Monika Gagnon, “Body Takes,” C Magazine, No. 36, Winter 1993, p. 60-61. Lisa Mark, “Curator's Statement,” The Pressing of Flesh Catalogue, Floating Gallery Winnipeg, MB, n.p. |
| 1992 | Nina Levitt, “Body Takes,” Body Takes Catalogue, Toronto Photographers Workshop, Toronto, n.p. |
| Images Published (a selection of images published without text that are not mentioned in the bibliography) | |
| 2019 | The Book of Images, ed. Stefano Stoll, Images Vevey & Koenig Books, London, p. 269. |
| 2018 | Photograph, Vol. 15, No. 4, March/April 2018, New York, p. 53. |
| 2017 | Latitudes, FOTOMÉXICO, Festival Internacional de Fotografia 2017, Mexico City, p. 64. |
| 2016 | EXIT Magazine, No 64, December 2016, Madrid, p. 116 – 125. KATALOG - Journal of Photography & Video, vol. 27, no.2, 2016, Kerteminde, Denmark, p. 16 – 23. |
| 2015 | Money, Les Nuits Photographiques, Paris, p. 79 & 80. |
| 2013 | Ciel variable, No. 94, Spring – Summer, 2013, Montréal, p. 62 – 63 (in collaboration with Gabor Szilasi) |
| 2006 | Carte Blanche, Magenta Foundation, Toronto, p. 110. |
| 2004 | Les 20 ans du CIAC, , ed. Colette Tougas, Centre international d'art contemporain de Montréal, Montréal, p.183. NAKED, ed. Lars Oscenda, Feierabend Verlag Publishers, Berlin, p. 228 & 229. |
| 2003 | Blind Date, CD-ROM by Sylvie Cotton & Chuck Samuels, Dazibao, Montréal. |
| 2002 | Centre for Contemporary Canadian Art, http://ccca.concordia.ca/start.html?languagePref=en& |
| 2001 | Ecce Homo, Vertigo Publishers, Barcelona, p.126 -131. Musée virtuel de la photographie québécoise, http://www.vox.com. |
| 2000 | Nerve / The New Nude, ed. Genevieve Field, Chronicle Books, San Francisco, p. 111-112. |
| 1999 | Nerve, web magazine, December 24 & October 8, www.nerve.com. |
| 1998 | American Photography 14, Amilus, Inc., Hong Kong, p. 216-217. Musée virtuel de la photographie québécoise, CD-ROM, Vox Populi, Montréal. |
| 1997 | Aperture, “Dark Days: Mystery, Murder, Mayhem,” No. 149, New York, p. 56-57. Photographers Encyclopaedia International: 1839 to the Present, Book & CD-ROM, Hermance, Switzerland. Spot, Vol. XVI, No. 2, Fall, Houston, Cover. |
| 1995 | Photography in the 1990's: Fifty Portfolios, CD-ROM, Wright State University, Dayton. |
| 1994 | exposure, “Sex Wars: Photography on the Frontlines,” Vol. 29, No. 2/3, Dallas, Cover & p. 10 - 11. |
| 1993 | Libido, Vol. 5, No. 1, Chicago, Cover & p. 24 - 29. Magazine OVO, “Portraits,” No. 50, Montréal, p. 26. |
| 1992 | Rampike, Vol. 7, No. 3, Toronto, p. 34. |
| 1981 | Magazine OVO, “Photographie et littérature,” No. 44/45, Montréal, n.p. |
| Texts Written by the Artist | |
| 2021 | Chuck Samuels, “Scabs, Runny Noses & Wardrobe Malfunctions,” Ciel variable, No. 116, January 2021, Montréal, p. 95-98. |
| 2018 | Chuck Samuels, “La Parte Má Bella: The Nude in Photography History,” L'oeil de la photographie.com, January 12, 2018, n.p. |
| 2015 | Chuck Samuels, “The Ventriloquist’s Dummy,” Ciel variable, no. 100, Spring – Summer, 2015, Montréal, p. 22 – 31. |
| 2011 | Chuck Samuels, “The Figure of the Photographer,” Ciel variable, no. 87, January – May, 2011, p. 30 – 38. |
| 2005 | Chuck Samuels, “É bom ter senso du humor: A Misguided Tour of the FOTO ARTE 2004 Photography Festival,” MIX, Tenth Anniversary Double Decker Issue, 2005, p56 – 61 & 110 - 111. |
| 1987 | Chuck Samuels, “Men, Women & Photography,” Women and Men: Interdisciplinary Readings on Gender, ed. Greta Hofmann-Nemiroff, Toronto, Fitzhenry & Whiteside, 1987, p. 454-469. |
| 1985 | Chuck Samuels, “Supportive, Exploitative, Appropriative? Five Male Photographers Approach ‘Women’s Issues,’” Fuse, Vol. VIII, No. 6, Spring 1985, p. 29-34. |
| 1984 | Chuck Samuels and Moïra Egan, “Les refugiées indochinoises,” (an exhibit by Claire Beaugrand-Champagne at Galerie Powerhouse, Montréal), Vanguard, Vol. 12, No. 10, Dec. 1983/Jan 1984, p. 44-45. |
| Awards | |
| 2024 | Conseil des arts et des lettres du Québec, Creation Grant |
| 2023 | 41st International Symposium of Contemporary Art of Baie-Saint-Paul, Production Residency |
| 2021 | Conseil des arts et des lettres du Québec, Travel Grant Canada Council for the Arts, Arts Abroad Program Travel Grant Chuck Samuels: Becoming Photography short-listed for the 21|22 Deutscher Fotobuch Preis (German Photo Book Award) |
| 2019 | Conseil des arts et des lettres du Québec, Research & Creation Grant Customized Residency Project at L’imprimerie centre d’artistes |
| 2017 | Conseil des arts et des lettres du Québec, Promotion Grant and Travel Grant |
| 2015 | Canada Council for the Arts, Travel Grant Résidence, programme Recherche et création à DAÏMÕN Conseil des arts et des lettres du Québec, 2 Travel Grants Société de développement des entrprises culturelles du Québec, Programme d’aide aux artistes en arts visuels |
| 2014 | Conseil des arts et des lettres du Québec, Research & Creation Grant |
| 2012 | Résidence, programme Recherche et création à DAÏMÕN |
| 2011 | Conseil des arts de Montréal, Programme Conseil des arts de Montréal en tournée |
| 2002 | Canada Council for the Arts, Travel Grant |
| 2000 | Conseil des arts et des lettres du Québec, Research & Creation Grant |
| 1997 | Conseil des arts et des lettres du Québec, Travel Grant |
| 1994 | Canada Council for the Arts, Short Term Grant |
| 1991 | Canada Council for the Arts, Project Cost Grant |
| 1987 | Canada Council for the Arts, Project Cost Grant |
| Collections | |
| 2013 | Cinémathèque québécoise, Montréal Worcester Art Museum, Worcester, MA |
| 2012 | Le Musée national des beaux-arts du Québec: Collection Prêt d’oeuvres d’art, Québec |
| 2011 | George Eastman Museum, Rochester, NY |
| 2009 | La Musée de la Photographie, Charleroi, Belgium |
| 1995 | National Gallery of Canada, Ottawa |
| 1993 | La Maison Européenne de la Photographie, Paris |
| 1985 - Present | Various private collections in Amsterdam, Arlington (MA), Atlanta, Berkeley, Chicago, Dallas, Hong Kong, Houston, Kamouraska (QC), Longueuil (QC), Los Angeles, Mexico City, Montréal, Reno (NV), San Francisco, Taos (NM), Toronto and Tucson (AZ). |